This episode brought in a big name fan of the show--Quentin Tarantino--and, because of his name, let him write and direct the show's season five finale. The episode was later dedicated to his memory. The reason Nick is sent to the scene is because of a flip of a coin. With its desperate attempt to ransom Nick's release failed by their enemy's fanatical revenge, the CSI team must use all their investigative talents to find Nick, whose perilous situation is becoming all the more horrific by the minute. Reviewed in the United States on June 30, 2006. The only person in the house is an extremely overweight drunk, sleeping on the couch. Usually during a large storyline like this the acting is usually spread out and ultimately dreadful. User Ratings To use an old but relevant term, he puts style above substance. Best example lately is the C.S.I. Directed by Quentin Tarantino. Usually a man screaming is disturbing in its own right, but here it lets the viewer feel uncomfortable knowing that this guy who is very well built and over 6 foot is frightened and very scared. Usually my favourite character has to be Catherine Willows while Nick is towards the bottom of the list, but in this episode George Eads acting gives the viewer sympathetic connection to him, you WANT him to get out and you want him out ALIVE. I am now sitting here watching it for the third time.

So breathe quick, breathe slow, put your gun in your mouth and pull the trigger. The kidnapper begins taunting Grissom, saying that there is nothing that he can do to save his friend. The stakes are always upped when a main character is in jeopardy, but "Grave Danger" is the rare episode that actually leaves the viewer wondering whether Nick is going to make it out of that coffin alive. Eric Szanda, George Eads, Marg Helgenberger, Gary Douran, Jorga Fox, Reviewed in the United States on October 11, 2008. | The San Bernadino County Sun gave "Grave Danger" 3 out of 4 stars. By creating an account, you agree to the Privacy Policy If it's a personal drama and it makes you cry... that's a good movie. Several hours before, Sara and Grissom are reviewing a past homicide case, Greg and Hodges are playing a board game, and Nick and Warrick are deciding which case they will take: an assault at a strip club or a "trash run."

Synopsis:Part 1 of two. Nick starts panicking and begins screaming for help, but unfortunately no one can hear him. Grave Danger, Part 2 is the twenty-fifth episode and season five finale of CSI: Crime Scene Investigation.

I wondered if he would be able to subvert himself, or just go with his own thing. Go to TV Squad to read the rest of the review. He shuts the lid and shovels dirt on top of it. I normally don't watch CSI- not because I particularly dislike the show, but I just don't have it as a main priority on TV (and in general it's tough to get into a show and stick with it these days). it's my second favorite show but only cause house is so damn irresistibly but so is c.s.i.

Meanwhile, Nick wakes up in the back of a car with his hands tied behind him.

Catherine finds Nick's vest with some white fibers on it. The flash drive contains a message: "One million dollars in 12 hours or the CSI dies. A taunting voice begins talking: "Hi, CSI guy.

The car stops and someone gets out (we don't see that happen.) Though Tarantino sticks to the typical C.S.I. Quentin Tarantino directed. "Tarantino knows how to set an emotional tone and maintain it throughout a feature, whether it's a two-hour television episode or a five-hour, cut-in-two saga (Kill Bill). Ever since Nick cried when being threatened by Amy Hendler, he has been the emotional center of the show. If it would have been necessary to develop the characters (which isn't because it's a continuous series), these 90 minutes could have absolutely worked as a stand alone feature for me.

Forgot your password? But, as with ER, when filmmaker Quentin Tarantino pops up to take the helm for an episode, I'll sit up and take notice. Nick wakes up and hits his head on the top of the coffin. A gloved hand comes over Nick's mouth, and knocks him out.

From the first minute watching this, you can realize, that this is not "just" another usual episode (I don't say this in an insulting way), but that he really made something special out of it.

The newspaper thought the CBS censors may have done more harm than good, as they prevented the audience from enjoying the whole Tarantino experience: Of course, no review round-up can be completed without a taste of what internet fans are saying. Investigar Nick Stockes (George Eads)arrives at what seems to be a simple crime scene and begins the normal procedure of tracking the evidence.

I personally acknowledge the significance of his movies, although I request more real substance. las Vegas and only las Vegas c.s.i the others are so dumb Grave Danger is my favorite episode and the one when nick gets pushed out the window i love nick George Eads is my second favorite actor first is Hugh Laurie from house after George eads its William Peterson because his terrific performance in c.s.i and cause in a weired way hes hot but i got to say i thought it would be Cathryn with him not Sara and my friend said Cathryn likes Warric now nick is allowne because Greg likes the other Analise girl person or what ever. There are a ton of great episodes of CSI, but this is the one and only episode that I will watch over and over. Sign up here.

He doesn't know if the money is real or not. The team watches in horror as Nick continues to panic and try to escape his prison. There were no prints or DNA on the coffee cup or bag. It builds a lot of suspense for the second volume. Then visit GetDesperate.com!

Directed by Quentin Tarantino. "What worked for this episode was that they piled on so many problems I started to worry about Stokes' fate; I had legitimate anxiety: man in box; man in box with gun and threatening taped message; idiot CSI agents keep the light on so they can watch their buddy die in real time, all the while draining down the fan battery; daughter meets with estranged father (who happens to be hobnobbing with ancient Vegas entertainers) to procure much cash; cash delivered, kidnapper blows himself up; search commences, dead dog found in a plexiglass cube; fire ants; near cardiac arrest; bomb beneath a crystal clear coffin. Brass goes to the house where the delivery boy was paid to deliver the letter, but it turns out to be a dead end. It's all so different, it's vintage Tarantino. "What's impressive about this episode is how it remains true to the CSI ethic of stoic workaholism, beneath an added layer of emotional richness.

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