Blasting INAPPROPRIATE Songs in the Library PRANK #2 - YouTube Hard Line proved to be the Blasters' final studio album with their original lineup, and while it sounds like an experiment that only partially succeeded, the best moments revealed they could move forward without losing what made them special, and if this is as close to a sell-out as they got, they held on to their principles far better than the vast majority of roots rock bands who figured a different producer might get them on the radio. And the closing track, the rollicking "Rock and Roll Will Stand," is a darkly funny appraisal of the music biz that shows the Blasters knew just what they were getting into by trying to scale the charts, and were prepared for the consequences. 1997 The Blasters. The Blasters's songs: Listen to songs by The Blasters on Myspace, Stream Free Online Music by The Blasters The Blasters certainly hadn't turned their back on their influences: the Jordanaires, the vocal group that added harmonies to several of Elvis Presley's biggest hits, contributed backing vocals to four cuts, while an impassioned version of "Samson and Delilah" kicked off side two with raw gospel fervor, and "Trouble Bound" and "Help You Dream" showed Dave Alvin's gift for writing in traditional styles was as strong as ever. In 1985, for Stevens' album Lipstick Powder and Paint, he also covered "So Long Baby, Goodbye". The original was on American Music. Guitarist and songwriter Dave Alvin left the Blasters in 1986, and it wasn't until 2004 that the band, under the leadership of lead vocalist and guitarist Phil Alvin, got around to cutting a new studio album, 4-11-44, so the gap of a mere eight years between that album and 2012's Fun on a Saturday Night seems like a brief intermission by comparison. Fun on a Saturday Night isn't an epochal roots rock statement like the Blasters' best work, but that also doesn't seem to be what the band had in mind for this set; instead, this is four guys playing some songs they love with the skill and smarts of a lifetime devoted to the music, and this is 36 minutes of good rockin' fun that will kick off a Saturday night (or any other night of the week) in high style. Albums include The Blasters, From Dusk Till Dawn, and Streets of Fire. We’re very sorry to inform everyone, but we have to cancel all of our shows for the remainder of 2019. 4-11-44 felt uneven, as if this once mighty band lost the muscle and the focus they commanded in their prime, but even though they still don't have a songwriter strong enough to compensate for Dave Alvin's absence, Fun on a Saturday Night is a definite improvement, a great set of classic blues and R&B covers that cuts a solid groove and sounds like these guys are having a hell of a good time. Alvin also sounds convincing when the band slows the tempo on "No More Nights by Myself" and "Penny," and his longtime cohorts, bassist John Bazz and drummer Bill Bateman, have just the right touch for this material, tough when they need to be and easy when the song calls for it. Guitarist Keith Wyatt has impressive chops and the good sense to not make like a show-off, and when the band turns their classic "Marie Marie" into a Mexican folk number on "Maria Maria," the gambit works like a charm. Producer Jeff Eyrich pumped up the sound of Bill Bateman's drums (and for a few tracks replaced him with Stan Lynch of Tom Petty & the Heartbreakers), Dave Alvin's guitar tone got thicker and harder, the horn section of Lee Allen and Steve Berlin sat out the sessions, and the emphasis was put squarely on new songs which owed less to rock & roll's past than on the Blasters and Non-Fiction. About; American Music 40th Anniversary Tour; Photos; Video; Blog; Links; Contact; TOUR DATES . Fortunately, in the spring of 2002 the original Blasters lineup -- Phil Alvin on guitar and vocals, Dave Alvin on lead guitar, John Bazz on bass, and Bill Bateman on drums -- reassembled for a handful of California shows to promote the retrospective release Testament: The Complete Slash Recordings (1981-1985), and someone had the good sense to record their shows at the Hollywood House of Blues. Engineer Mark Linett does a great job of getting the band's sound on tape with a very live ambience that still sounds tight and punchy, and the dedication to friend, influence, and sometime bandmate Lee Allen is a true sign of class. The Blasters are a rock and roll band formed in 1979 in Downey, California. Easily the oddest number here is also the sole original; "Breath of My Love" is a funny but harrowing tale of domestic discord written by Phil Alvin that cuts to the bone and may feature the first recorded instance of a doo wop chorus singing "Nine One One." However, the Blasters' sole live release, the six-song EP Over There: Live at the Venue, London, simply lacked the space to communicate the many good things the group could do in front of an audience. While the Blasters called it quits in 1986 after Hard Line failed to break through to the mass audience, it was only a few years later that lead singer Phil Alvin brought the band back, though without the participation of his kid brother, Dave Alvin, who played guitar with the Blasters and wrote their most memorable songs. For years, Phil Alvin promised to take the Blasters back to the studio, and in 2004 a new Blasters album finally appeared, 4-11-44. 2005 American Music. Trouble Bound (in which the foursome are joined by pianist Gene Taylor, who joined the group shortly before they cut The Blasters in 1981) doesn't exactly break any new ground for the Blasters, but it sure does a hell of a job of capturing what they do best -- even the relatively understated numbers like "Help You Dream" and "Too Tired" sizzle with energy, and when they open up the throttle on "Long White Cadillac," "So Long Baby Goodbye," and "Marie, Marie," they sound muscular, impassioned, and joyously alive.


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